PAST IS PROLOGUE

My Family’s History Is a Prop at Cracker Barrel

A random photo sent me down a rabbit hole of learning more about my immigrant great-grandfather, his employer Endicott Johnson, and the era of welfare capitalism

Lauren Modery
Human Parts
Published in
6 min readNov 5, 2021

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Photo by Wayne Spoehr; used with permission

I left my hometown in Central New York as soon as I graduated college. Not because I hated the town, nor because I wanted to detach from my community. I adored my childhood as the granddaughter of the Main Street business owner; our staff and customers were family. Leaving my loved ones to head west was tremendously difficult, but there were zero chances of upward mobility in the career path I was interested in.

At one time, my hometown region was a bustling outputter, filled with flourishing factories manned and womanned by European immigrants — mostly Italian and Slavic. And much like a Springsteen song, the factories ultimately folded or moved elsewhere, and with them went decent-paying, steady employment. Today my hometown is a juxtaposition of the past and present — a swirl of abandoned factories, boarded-up Victorian homes, well-groomed midcentury ranch houses, a struggling Main Street, and a SUNY college that keeps the city from falling into the canyon of broken dreams.

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Lauren Modery
Human Parts

Freelance writer; film Loves Her Gun premiered @ SXSW ‘13; used to be a Hollywood assistant; rail enthusiast; check out my dumb blog, hipstercrite.com